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News & blog
2025.09.15.
Bloodstained cross🔥
Bloodstained cross🔥
This painting was inspired by Arch Enemy – Bloodstained Cross. At its center stands a church engulfed in flames, symbolizing the collapse of Christianity as an institution and the rebellion against the lies and oppression spread in the name of faith. In the foreground, a woman dressed in black calmly observes the destruction, as if the fire itself were a symbol of purification and liberation. The contrast between the dark sky and the blazing flames creates a powerful, dramatic atmosphere that echoes the anger, rage, and strength of the song.
2025.09.04.
Inspirated the FALL
Inspirated the FALL
Fall has arrived!
Fall has arrived!
Does it inspire you too? Technically, it’s already fall by date, but here in Hungary it still doesn’t feel like it, with temperatures around 30 degrees. I’m really looking forward to the real fall, though this late summer also has its own charm. The true, cozy fall always inspires me to create—the beautiful yellow and red shades, the sound of falling leaves, the scent of foliage, the rain, candles, and warm blankets with a mug of hot chocolate or tea in hand… Oh fall, come already, we’re waiting for you!
2025.08.28.
2025.08.28.
A magnet canvas? Yes!
A magnet canvas? Yes!
Look at this! Â
Look at this! Â
And this is just a small glimpse into the process😉Â
And this is just a small glimpse into the process😉Â
2025.08.05.
Dark Sea
Dark Sea is an attempt to capture the raw power and beauty of nature, not through traditional painting techniques, but in a tactile, tangible form. The artwork depicts a black sand shore, where darkness and waves dance an eternal waltz.
The deep black, rough surface is broken by softly shimmering, 3D waves, capturing a fleeting moment of the ocean's movement and force. Light plays across the rippling textures as if the moon's glow were gently illuminating the dark water.
For me, this piece is not merely a depiction of the sea, but a celebration of contrasts: light and darkness, calm and storm, silence and roar. It is a shore that both invites and keeps its distance — just as the darker sides of nature and the human soul often do.
From a technical perspective, I created the background using gray acrylic paint applied with a palette knife to achieve a slightly chaotic, textured effect that isn't overpowering and keeps the focus on the apple.Â
2025.07.31
RED
Big Apple – The Blood of Dreams
This painting symbolizes desire, possibility, and inner tension for me. It was inspired by the "Big Apple," New York – a city that is both alluring and overwhelming, life-giving and exhausting at once.
The shiny red apple represents temptation and dreams – the kind so many people chase. But the melting, blood-like drips are a reminder: everything comes at a cost. The gray background stands for everyday reality – the space where dreams either bloom or dissolve.
This work also reflects an internal state. That moment when you're drawn to something deeply, while already feeling the weight of it. For me, New York – and art itself – is exactly like that.
The apple was painted in several layers of acrylics and finally highlighted with a strong, glossy varnish. I aimed for a 3D effect, even letting the paint drip over the edge of the canvas.Â
This artwork was selected as a Finalist at the 2024 International Nomad Show in New York.
From a technical perspective, I created the background using gray acrylic paint applied with a palette knife to achieve a slightly chaotic, textured effect that isn't overpowering and keeps the focus on the apple.Â
2025.07.22.
How does a piece like this come to life — and what can you see when you get up close?Â
How does a piece like this come to life — and what can you see when you get up close?Â
The process began with sculpting the sandy shore using texture paste mixed with a special secret ingredient — something I like to keep just between me and the canvas. This created an extremely rough, grainy surface that truly feels like real sand. I blended the color directly into the paste and applied it with a palette knife and my hands for a raw, organic effect.
Next came the ocean. I built a softer texture for the water, shaping the waves gradually. The base was a custom mix of every shade between blue and green, layered to capture the ocean's depth. Finally, I highlighted the waves with modeling paste and subtle shadowing in deeper blues.
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